Ever had a conversation with a friend where you’re recalling a fond, or not so fond, memory, and one of you describes everything that happened detail by detail as though giving a police report? To which the second person might respond, “I was there, why are you telling me this?” The second season of True Detective offered this up in abundance, as one person after another tried to fill in backstory holes in a desperate attempt to get us to care about the characters’ eventual demises. A lot of people have complained about a lot of failings of the show, but it’s the way characters talked to each other that bothered me most. And in the season finale there was one scene, I felt, that summed it up perfectly. Continue reading
Here’s a great scene from Sophia Coppola’s The Bling Ring that I think says a huge amount about how not to write movie dialogue. It’s the sort of forced, totally unnatural piece of dialogue that only makes sense in a script, where the writer wants to tell us something but doesn’t know how to succinctly show it. Looking at it on paper, it might not seem that bad. It apparently worked for everyone involved in making the film. But if you read a little between the lines, it’s a textbook example of how not to write dialogue.