Sentence fragments in screenwriting: bending the rules of grammar

screenplay sentence fragmentsAny student of English language is, at some point, taught that sentence fragments should be avoided. A sentence needs a verb, or a verb needs a subject, and the lack of one or the other means the sentence makes no sense. But take a look at any half-competent screenplay and you’ll find it full of clipped sentences, which still make sense. This is because screenwriting is about communicating a plan of action, a blueprint, not a full-bodied description or a fortress of flawless grammar. Grammar does matter, but the English language is flexible – the question you have to ask is when is it okay to bend the rules? Continue reading